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Post by SharksFan99 on Oct 4, 2017 22:57:00 GMT 10
What are songs which you believe are underrated and deserved to achieve more success than they did? In all honesty, I could provide a lot of examples of underrated songs, but I will only stick to a few for now. Song: "My Own Prison" Band: Creed Released: 1997Creed are quite often the subject of a lot of criticism and the band's lead singer, Scott Stapp, often bores the brunt of the criticism. However, I think their first single ("My Own Prison") is completely underrated and is better than their more well-known material (e.g "With Arms Wide Open"). Now admittedly, i'm not a big fan of Creed, however I do like most of their singles and I believe this song is actually quite good, almost on par with a lot of other '90s alternative songs. This song hardly made a dent on the charts. "My Own Prison" peaked at #45 on the Canadian Top-50 chart, however it failed to chart on other Top-50 charts around the world. In it's native US, it charted at #1 on the US Active Rock chart and #7 on the US Billboard Hot 100 Modern Rock Chart. Song: "Hieronymus" Band: The Clouds Released: 1991It amazes me that this wasn't an international hit. Unfortunately, this song (and band) suffered from poor promotion by the record company and to be quite honest, a lack of money spent (the music video is a bit cheap, even for it's time). It's a shame, because this really should have been one of the most popular songs of 1991. It didn't even fare well in Australia, the band's home country. It only peaked at #46 on the ARIA chart and it only remained on the chart for two weeks. The song didn't chart anywhere else. Song: "G#" Band: Kitten Released: 2012To be honest, I only became aware of this song, because it was on the FIFA 13 soundtrack. Because it's a song released by an "indie" artist, it didn't chart anywhere. This song is one of my favourite songs of the 2010s and although this is solely opinionated, it really should have been a hit. It's too good not too have been a hit!
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Post by SharksFan99 on Nov 19, 2017 10:38:53 GMT 10
This song is really underrated. It was released in 2001, but it charted in 2002. It's a shame, because I think it's heaps better than the songs Nickelback and Creed were releasing at the time.
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Post by #Infinity on Nov 19, 2017 11:46:29 GMT 10
Going strictly by overall popularity, and not just soccer hits, I would say these... I could frankly go with every song from this track's parent album, Come and Get It, but I'll stick to this, since as I listed earlier, it's my #1 favourite song of the 2000s. Though it did okay in its native UK, peaking at #12, it did not chart anywhere else and failed to get people to buy the album, which came out the same time. Sadly, this was the last single Rachel Stevens ever released and her music career was dead by the turn of 2006. Fortunately, Come and Get It at least has a cult fanbase, enough of one that it got an article and event celebrating its 10th anniversary. This came out in-between the JFK Assassination and Beatlemania. It only went to #17 in the United States and didn't chart anywhere else, not even the UK. In my opinion, it's easily one of the freshest and most creative pop songs of the first half of the 1960s. It successfully takes elements of post-War crooner pop and brilliantly advances them with dynamic instrumental phrasing and booming 60s percussion. It's a vintage song with a very distinct identity and, in my opinion, almost rivals Brian Wilson in its musical innovation. It at least deserves a page on Wikipedia. This Jonathan Cain-penned power ballad has the misfortune of having been released in the midst of Heart's dark age, when both the band's commercial success, as well as quality was suffering. Passionworks is definitely one of the band's weaker albums, but this track in particular is an absolute masterpiece and frankly my favourite song of theirs ever, which says a lot considering my adoration of "Magic Man," "What About Love?," and "Barracuda." In my opinion, this song epitomizes everything that makes 1983 one of my favourite years for music ever, between its beautiful piano riff, to its unforgettable melody, to its over-the-top epic lyrics, to its arena-tailored production, to its fantastic sense of development. Epic did very little to promote it, however, and its only chart position anywhere was a pathetic #83 on the Billboard Hot 100. If "Total Eclipse of the Heart" could be one of 1983's biggest hit singles, "Allies" deserved to at least be close behind. I'm a huge fan of mid-90s eurodance, but this particular song might take the cake as my favourite track of the movement. I'm devastated that it wasn't a success anywhere, its closest claim to hit status being its #30 peak in the UK. My best guess as to why it underperformed is that it came out in early 1996, a time during which eurodance was declining the UK, and since the group hadn't been particularly successful elsewhere prior to that point, the song wasn't extensively promoted in mainland Europe.
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