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Post by mc98 on Jul 11, 2020 14:36:47 GMT 10
This fall 2019 song by Post Malone sounded very unique at the time considering that trap dominated 2019 (and this year unfortunately). Will Circles be the foundation of the music of 2020s? I heard songs with similar productions such as Watermelon Sugar and Supalonely, where they both have this dreamy and airy guitar-based production. Maybe we will hear more songs like this around 2021-2022. It took some time for Lorde's influence on pop music during the mid 2010s.
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Post by SharksFan99 on Jul 11, 2020 15:23:52 GMT 10
It's hard to say. I would be more inclined to say that the song was just a one-off and we're unlikely to see anything else resemble it in the Top-40, but who really knows. The coronavirus pandemic could very well bring about a new wave of indie-inspired pop.
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Post by Telso on Jul 11, 2020 22:44:44 GMT 10
I honestly think at this point this kind of indie stuff is more just meant to target older Millenials and radio people and generally broadening their audiences as such. It's a practice that shows promise and will probably be done more in the future.
But currently teenagers, the biggest streaming consumers, all they want is trap, trap, sad pop and more trap.
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Post by rainbow on Jul 11, 2020 22:54:33 GMT 10
I hate to be that person, but I still don't think Circles sounds different enough to be new and exciting. I think we're just going to have to wait.
al likes this
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Post by Early2010sGuy on Jul 12, 2020 7:47:29 GMT 10
I wish, it doesn't sound like anything that would come out in 2015/16
sman12 likes this
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Post by al on Jul 12, 2020 8:21:21 GMT 10
I have to agree that this song isn’t particularly novel. Tbh it reminds me of what’s been going on in country. #monogenre
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Post by Cassie on Jul 12, 2020 14:05:12 GMT 10
I honestly think at this point this kind of indie stuff is more just meant to target older Millenials and radio people and generally broadening their audiences as such. It's a practice that shows promise and will probably be done more in the future. But currently teenagers, the biggest streaming consumers, all they want is trap, trap, sad pop and more trap. A shame too because I hate trap.
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Post by #Infinity on Jul 13, 2020 0:44:33 GMT 10
The early 2020s will probably be dominated by anything that caters to TikTok, however that's distinguished from late 2010s SoundCloud rap.
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