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Post by SharksFan99 on Dec 3, 2017 0:22:34 GMT 10
A thread for analysing and discussing bands/artists of which we personally think should have been much more successful than they were. While there are many bands who would be great examples for this thread, i'm going to stick with three bands for now:
It's a shame that "Life in a Northern Town" proved to be the only noteworthy hit for Dream Academy. While the English band did have a minor hit in the form of "The Love Parade" in 1986, they were never able to replicate the success they had with the former.
This song (and band) would have to be one of the most underrated of the '90s; "Hieronymous" by a little-known Australian band, called The Clouds. This song was only a minor hit here. It peaked at #46 in September 1991 and only stayed in the charts for two weeks. It's a shame, because this song and band should have been huge. If this had of been released by a US band, it probably would have been a massive hit. The Clouds had three other singles which peaked within the ARIA Top-50 in 1991/92, but they soon vanished after that.
This song (and band) deserved to achieve more success than it did. It was probably released a bit too early, as alternative rock had yet to break into the mainstream when this was released in Late 1990. However, with that said, it did manage to reach #1 on the Australian charts in Early 1991 and the band also had two other hits; "Don't Go Now" and "Baby, Baby". After the success of the three songs and the EP, however, the band had completely disappeared from the mainstream and they were never able to release another Top-50 single. If this had of been released two or three years later, it quite possibly could have achieved international success as well.
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Post by Deleted on Dec 3, 2017 5:39:38 GMT 10
Angela Bofill Tomas Ledin Jonathan Kelly Marlena Shaw Barbara McNair Gordon Lightfoot John Farnham
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Post by SharksFan99 on Dec 3, 2017 9:21:43 GMT 10
Yeah, it's surprising that John Farnham was not more successful in the UK than he was. "You're the Voice" was pretty much his only successful hit over there. Here in Australia, he had been achieving Top-40 hits since the Late '60s and his last hit was only as recently as 2000!
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Post by #Infinity on Dec 3, 2017 12:12:22 GMT 10
Nik Kershaw deserved much more general success than he achieved. He failed to score any top 40 hits in the United States, and even in his native UK, he was only a superstar for 2 years, in 1984 and 1985, before suddenly falling completely off the radar by 1986. All he's ever really done since is produce and write some music for the mid-90s pop group Let Loose.
Rachel Stevens, of course, is another huge one for me. Her debut album went Gold in the UK, but her solo career never really took off internationally, even with "Sweet Dreams My LA Ex" doing well in Scandinavia. Despite some solid hits in the UK in the mid-2000s, her follow-up album, Come and Get It, peaked only at #28 and her career has been completely dormant since. Even though she rarely co-wrote any of her material, Stevens' control, confidence, and charisma as a singer made almost anything she touched pop gold. Come and Get It is one of my favourite albums of all time, and it deserved far more commercial success than it ever got. Apparently, Stevens' downfall was that album being too ahead of its time (it sounds like it was made in 2009), as well as the fact that she wasn't really a celebrity at heart, having lived a homespun life even in the midst of her solo fame and stirred up none of the same tabloid fodder that has kept musicians like Taylor Swift, Justin Bieber, and Rihanna afloat for several years.
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Post by Deleted on Dec 3, 2017 12:52:40 GMT 10
Love John Farnham, Shark! I consider him Tomas' Australian counterpart.
SharksFan99 likes this
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Post by SharksFan99 on Dec 14, 2017 0:11:17 GMT 10
This should have been one of the biggest hits of 1998, IMO. It was successful in it's native Australia, with the song peaking at #21 and staying on the charts for 13 weeks. However, it failed to achieve any success overseas, despite the fact that Real Life (the album this song originates off) was released in the US. The single did not even make it onto the New Zealand charts!
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Post by RockyMountainExtreme on Dec 21, 2017 15:17:42 GMT 10
Bands from the 2010s that deserve more success
Alestorm;
Skindred;
Devin Townsend Project;
Saint Asonia;
Babymetal;
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