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Post by SharksFan99 on Feb 19, 2018 23:39:58 GMT 10
A counterbalancing thread to the Least Favourite Song Intros thread #Infinity created. What are your least favourite song outros? This would definitely have to be one of my least favourite song outros. The male vocals weren't necessary at all, in my opinion. I think it completely ruins the song. It's a shame, because the song is really good prior to 2:04. "I Think I'm Paranoid" is quite a good song, but the outro (from 2:44 onwards) isn't particularly great.
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Post by #Infinity on Feb 23, 2018 7:24:17 GMT 10
Not really an outro, but I absolutely cannot stand the bridge near the end of this song, particularly the part that starts at 3:28:
This song is otherwise really contrived nu-metal, but it’s energized enough that I’d forgive it if not for the awkwarsly phony child tantrum screamed by a grown man. Thank God it was omitted from the radio and music video edit.
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Post by SharksFan99 on Feb 23, 2018 10:17:23 GMT 10
Not really an outro, but I absolutely cannot stand the bridge near the end of this song, particularly the part that starts at 3:28: This song is otherwise really contrived nu-metal, but it’s energized enough that I’d forgive it if not for the awkwarsly phony child tantrum screamed by a grown man. Thank God it was omitted from the radio and music video edit. Yeah, I don't particularly like it either. The rest of the song isn't too bad though, in my opinion.
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Post by #Infinity on Jun 23, 2018 7:52:23 GMT 10
Following in the wake of both “Kiss from a Rose” and “I Believe I Can Fly”, this R. Kelly ballad attached to the notorious Batman & Robin may be super cheesy, but it’s such a beautifully elegant piece that it compliments the film’s ambitious yet still fantastical setpieces.
Unfortunately, the surprising dignity this track builds throughout is course is suddenly shattered during its outro, where a choir of little kids chant the title repeatedly for half a minute. The concept is contrived and schmaltzy enough, but it’s made even worse by the fact that these children are hideously off-key, and you’re forced to totally soak that in all the way to the end.
If you want my advice, I’d say start fading this song early, having it end by the 4:15 mark. After that point, it stoops to the same lazy shoddiness of the movie that inspired it.
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