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Post by Deleted on Jul 29, 2020 20:53:37 GMT 10
I know a lot of hay is made about the "sound" of certain decades, or the bands or singles that were biggest, the albums that "defined" a decade, etc. But those sounds or iconic albums may not exist without a label that sets out with the mission to coalesce around a particular group of bands or genre, and there have been some notable ones in the last few decades that were instrumental in propelling certain genres and bands to iconic status. Some pondering about the 2000s got me thinking about Fueled By Ramen, the iconic record label that may well have brought us the sound of the 2000s through superstar emo and indie acts such as Fall Out Boy, Paramore, All Time Low, The Academy Is..., Panic! At the Disco, Cute is What We Aim For, Gym Class Heroes, and even some more obscure but notable bands like The Hush Sound and Young the Giant. The label also is created with putting later indie pop bands on the map such as fun. On the other hand, in the 1990s, there was also Sub Pop, which I'm sure needs no introduction:
After the death of grunge, Sub Pop actually also became associated with the indie scene of the '90s and 2000s, including such artists as Death Cab for Cutie, Iron & Wine (known for their cover of the famous hipster anthem, Such Great Heights), Deerhunter, the Shins, and The Postal Service (known for writing the famous hipster anthem, Such Great Heights). You might say that after the death of grunge, Sub Pop created the sound of '90s and early 2000s hipsters, as these bands and several others like them on the label came to be utilized in various facets of turn-of-the-millennium hipster cultural works such as the Zach Braff movie, Garden State. But one of the other very notable labels of the '90s, possibly representing the "other face" of indie music at the time was the Elephant 6 Collective. Maybe you've heard of them, but most likely not. However, Elephant 6 was instrumental in introducing the lo-fi rock sound, a sort of Sgt. Pepper psycheledic pop rock revival in the form of the Apples (In Stereo), Neutral Milk Hotel, of Montreal, and others.
Maybe there is a label that could be said to define music of the 2010s, but I'm really not sure since music in the '10s seemed to tribalize and diversify to a degree not seen in basically any decade before it, such that there could be no "definitive" album, artist, or even genre that could encapsulate an entire generation. Maybe I'm wrong. Anyway, feel free to discuss these labels and others that may have significantly contributed to their music scenes at the time. Hey, I'm sure there are some folks that may be able to figure out the answer for the 2010s, or even for the '70s and '80s! And if you have other insights you want to share about Fueled for Ramen, Elephant 6, or Sub Pop, go for it ( John Titor I feel like this thread might be to your interest).
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Post by SharksFan99 on Jul 29, 2020 21:44:34 GMT 10
Interesting topic idea! I've actually done a bit of reading on the history of record labels in the past and I just recently watched George Martin's "Soundbreaking" mini-series (which is really worth checking out if you get the chance), so I have some knowledge on the background of certain record labels. For the 1950s, Sun Records was arguably the most iconic record label of the decade, as it was the first label to sign artists such as Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash and it was partly responsible for popularising rhythm-and-blues to a white audience. There's actually a number of record labels from the '60s and '70s that could be considered iconic. Motown Records was the first African-American owned label that achieved crossover success in the 1960s. Phil Spector, through his Phillies and Warner-Spector labels, worked with artists ranging from The Ramones, Leonard Cohen, Ike & Tina Turner and even The Beatles' with their "Let It Be" album, which i'm guessing you might already know.
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Post by John Titor on Jul 30, 2020 1:53:33 GMT 10
For 2000s def Fueled by Ramen and Drive Thu records
also JIVE records for y2k pop
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Post by Deleted on Jul 30, 2020 3:28:54 GMT 10
Interesting topic idea! I've actually done a bit of reading on the history of record labels in the past and I just recently watched George Martin's "Soundbreaking" mini-series (which is really worth checking out if you get the chance), so I have some knowledge on the background of certain record labels. For the 1950s, Sun Records was arguably the most iconic record label of the decade, as it was the first label to sign artists such as Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash and it was partly responsible for popularising rhythm-and-blues to a white audience. There's actually a number of record labels from the '60s and '70s that could be considered iconic. Motown Records was the first African-American owned label that achieved crossover success in the 1960s. Phil Spector, through his Phillies and Warner-Spector labels, worked with artists ranging from The Ramones, Leonard Cohen, Ike & Tina Turner and even The Beatles' with their "Let It Be" album, which i'm guessing you might already know. Yep, Motown! That's my home brand; according to Google my house is literally less than a half hour drive from the original studio. For the uninitiated: On the subject of Phil Spector, also an "interesting" fella. Depending on who you ask, he could be credited/blamed for the wall of sound on Let It Be, love it or hate it.
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Post by slashpop on Jul 30, 2020 4:04:04 GMT 10
I know a lot of hay is made about the "sound" of certain decades, or the bands or singles that were biggest, the albums that "defined" a decade, etc. But those sounds or iconic albums may not exist without a label that sets out with the mission to coalesce around a particular group of bands or genre, and there have been some notable ones in the last few decades that were instrumental in propelling certain genres and bands to iconic status. Some pondering about the 2000s got me thinking about Fueled By Ramen, the iconic record label that may well have brought us the sound of the 2000s through superstar emo and indie acts such as Fall Out Boy, Paramore, All Time Low, The Academy Is..., Panic! At the Disco, Cute is What We Aim For, Gym Class Heroes, and even some more obscure but notable bands like The Hush Sound and Young the Giant. The label also is created with putting later indie pop bands on the map such as fun. On the other hand, in the 1990s, there was also Sub Pop, which I'm sure needs no introduction:
After the death of grunge, Sub Pop actually also became associated with the indie scene of the '90s and 2000s, including such artists as Death Cab for Cutie, Iron & Wine (known for their cover of the famous hipster anthem, Such Great Heights), Deerhunter, the Shins, and The Postal Service (known for writing the famous hipster anthem, Such Great Heights). You might say that after the death of grunge, Sub Pop created the sound of '90s and early 2000s hipsters, as these bands and several others like them on the label came to be utilized in various facets of turn-of-the-millennium hipster cultural works such as the Zach Braff movie, Garden State. But one of the other very notable labels of the '90s, possibly representing the "other face" of indie music at the time was the Elephant 6 Collective. Maybe you've heard of them, but most likely not. However, Elephant 6 was instrumental in introducing the lo-fi rock sound, a sort of Sgt. Pepper psycheledic pop rock revival in the form of the Apples (In Stereo), Neutral Milk Hotel, of Montreal, and others.
Maybe there is a label that could be said to define music of the 2010s, but I'm really not sure since music in the '10s seemed to tribalize and diversify to a degree not seen in basically any decade before it, such that there could be no "definitive" album, artist, or even genre that could encapsulate an entire generation. Maybe I'm wrong. Anyway, feel free to discuss these labels and others that may have significantly contributed to their music scenes at the time. Hey, I'm sure there are some folks that may be able to figure out the answer for the 2010s, or even for the '70s and '80s! And if you have other insights you want to share about Fueled for Ramen, Elephant 6, or Sub Pop, go for it ( John Titor I feel like this thread might be to your interest). Sub pop had been releasing stuff since the early 80s.
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Post by Deleted on Jul 30, 2020 11:42:23 GMT 10
Yeah, I just meant that they put grunge on the national scene.
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Post by Telso on Jul 31, 2020 11:48:20 GMT 10
For the 1950s, Sun Records was arguably the most iconic record label of the decade, as it was the first label to sign artists such as Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash and it was partly responsible for popularising rhythm-and-blues to a white audience. I actually think Blue Note is even more iconic than Sun Records for the 1950s. Not only did it had a tremendous impact on the jazz scene with the popularization of the hard bop genre, but the label cover arts are still praised to this day for their unique use of texts and shapes. Nowadays there's gonna way more people buying vinyls from Blue Note, since the jazz of back then is a lot more timeless feeling than the very quaint rock & roll music which I'm sure only appeals to a very, very niche audience these days.
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Post by sman12 on Aug 6, 2020 9:06:10 GMT 10
Death Row Records (West Coast rap) vs. Bad Boy Records (East Coast rap) in the mid-90s. Boy, was it tense all around.
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Post by astropoug on Jul 15, 2021 10:16:39 GMT 10
Sub Pop for the early 90s Death Row for the mid 90s Jive for the late 90s
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Post by astropoug on Jul 15, 2021 13:16:16 GMT 10
Epic Records comes to mind for the 80s, as that was the label Michael Jackson was on. Even the logo and vinyl design look 80s
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Post by astropoug on Jul 15, 2021 13:17:51 GMT 10
For 2000s def Fueled by Ramen and Drive Thu records also JIVE records for y2k pop Drive Thru would represent the early 2000s better, whilst Fueled By Ramen would represent the late 2000s. Actually the early-mid 2010s too, given FOB's continued success plus new artists like fun. and Twenty One Pilots that were very successful.
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Post by astropoug on Apr 1, 2022 17:34:26 GMT 10
For 2000s def Fueled by Ramen and Drive Thu records also JIVE records for y2k pop What’s funny is that whilst Jive is associated with cheesy lighthearted teen pop like Backstreet Boys, Britney Spears, and N Sync, in the mid 00s, they also released songs from Three Days Grace, one of the darkest and edgiest bands to permeate mainstream rock in the 2000s.
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Post by astropoug on Apr 1, 2022 18:00:26 GMT 10
For 2000s def Fueled by Ramen and Drive Thu records also JIVE records for y2k pop Special mention in my opinion would also go to Victory Records. They played a critical role in helping popularize emo in the 2000s with bands like Thursday, Taking Back Sunday, and Hawthorne Heights.
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Post by astropoug on Jun 10, 2022 8:55:59 GMT 10
For the 2010s, it would easily have to be an EDM record label. Probably Spinnin Records or Monstercat.
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