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Post by Deleted on Jan 27, 2018 11:08:33 GMT 10
Just remembered another one - 'Funkytown' by Lipps Inc. Boring disco drivel.
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Post by SharksFan99 on Jan 28, 2018 0:11:21 GMT 10
Just remembered another one - 'Funkytown' by Lipps Inc. Boring disco drivel. I don't really like it either, although it's not one of my least favourite songs from the '80s. Just out of curiosity, what do you think of Pseudo Echo's cover of it?
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Post by Deleted on Jan 28, 2018 4:41:44 GMT 10
I still feel the same, Shark. It's a crap song. And crap will always be crap no matter who performs it.
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Post by #Infinity on Feb 7, 2018 17:14:35 GMT 10
*Sigh*, I tried hard to like these songs. 1983 and 1984 were excellent years for music, and Depeche Mode recorded some pretty legendary music on their debut, as well as Violator. But I'm sorry, after really thinking about these tracks again, I just do not care for them at all.
Both songs have really cold, ugly production. I'm actually kind of a sucker for '80s synth techno, but these here are not robotic in a fun, ethereal, exciting way like "Living on Video," nor are they emotionally riveting like the singles from Orchestral Manoeuvres in the Dark's Architecture & Morality album. They just sound bloated, emotionless, and musically dissonant. "Everything Counts" loses me with just its first two seconds. Also, no, they are not deep songs, either. "People are People" has especially boring, overly leading lyrics. I've heard more thought provoking social commentaries by manufactured teen pop bands, and that's no exaggeration. A major reason I'm more moved by stuff like Mariah Carey's "There's Got to Be a Way" or even White Lion's "When the Children Cry" is that they have strong sentiments. They may be naive, but it's the feeling that counts. I get no feeling from most of Depeche Mode's mid-80s output, and it certainly doesn't have the intellectual capacity to back it up, not that that would truly forgive the joyless production, in the first place. Give me "New Life," "Just Can't Get Enough," "Stripped," "Personal Jesus," and "Policy of Truth" before this rubbish instead.
For the record, I would probably put "People Are People" at #6 on my worst list on the first page. "Everything Counts" isn't as bad, I just really dislike the first few seconds, and the rest of the track isn't strong enough to make up for that off-putting intro.
In retrospect, these songs are also extremely boring, in my opinion:
Unlike Todd in the Shadows, I actually like most of UB40's songs. "One in Ten" and "Red Red Wine" are especially great. The above, however, I think needs little explanation. With a title like that, it's pretty much dead on arrival, and the sloppy composition certainly doesn't compensate.
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Post by SharksFan99 on Feb 9, 2018 18:51:20 GMT 10
*Sigh*, I tried hard to like these songs. 1983 and 1984 were excellent years for music, and Depeche Mode recorded some pretty legendary music on their debut, as well as Violator. But I'm sorry, after really thinking about these tracks again, I just do not care for them at all. Both songs have really cold, ugly production. I'm actually kind of a sucker for '80s synth techno, but these here are not robotic in a fun, ethereal, exciting way like "Living on Video," nor are they emotionally riveting like the singles from Orchestral Manoeuvres in the Dark's Architecture & Morality album. They just sound bloated, emotionless, and musically dissonant. "Everything Counts" loses me with just its first two seconds. Also, no, they are not deep songs, either. "People are People" has especially boring, overly leading lyrics. I've heard more thought provoking social commentaries by manufactured teen pop bands, and that's no exaggeration. A major reason I'm more moved by stuff like Mariah Carey's "There's Got to Be a Way" or even White Lion's "When the Children Cry" is that they have strong sentiments. They may be naive, but it's the feeling that counts. I get no feeling from most of Depeche Mode's mid-80s output, and it certainly doesn't have the intellectual capacity to back it up, not that that would truly forgive the joyless production, in the first place. Give me "New Life," "Just Can't Get Enough," "Stripped," "Personal Jesus," and "Policy of Truth" before this rubbish instead. For the record, I would probably put "People Are People" at #6 on my worst list on the first page. "Everything Counts" isn't as bad, I just really dislike the first few seconds, and the rest of the track isn't strong enough to make up for that off-putting intro. I don't particularly like those songs either, although I wouldn't personally consider them to be one of the worst songs of the 1980s. In this instance, I think the band put too much emphasis on the synths and didn't devote enough time on composing the lyrics.
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Post by #Infinity on Feb 10, 2018 3:20:17 GMT 10
I don't particularly like those songs either, although I wouldn't personally consider them to be one of the worst songs of the 1980s. In this instance, I think the band put too much emphasis on the synths and didn't devote enough time on composing the lyrics. The main problem with the song is that the production does not compliment the lyrical thesis at all, or certainly not in any way that’s emotionally persuasive. It’s not simply Depeche Mode putting “too much emphasis on the synths,” as that was just their predominant sound at the time. There are even a few cases in which it works okay, such as “Master and Servant,” which also has a pretty annoying intro but still works much more effectively in conveying its theme, which is more broodingly cynical. With “People Are People,” however, the lyrics come off as both really preachy, as well as utterly apathetic. With S Club 7’s “Gonna Change the World,” the smooth vocal melodies and breezy guitar-supplemented teen pop production evoke a calm that make it natural to imagine the peaceful dream the narrators are striving for; their words indeed heal. Hearing “People Are People” though, all I can think about is the very justifications of why there are so many malicious assholes in the world, because Depeche Mode make such a weak and uninspired case against bigotry that comes off much more as a backlash catalyst than a spiritual rejuvination. The fact that the music itself is such a slog to listen to only makes the track even worse than ever.
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Post by RockyMountainExtreme on Feb 10, 2018 10:03:09 GMT 10
Top 5 worst;
1. Mickey - Toni Basil
2. I Know What Boys Like - The Waitresses
3. Girls Just Wanna Have Fun - Cyndi Lauper
4. Kids In America - Kim Wilde
5. Physical - Olivia Newton-John
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Post by #Infinity on Feb 10, 2018 10:10:53 GMT 10
Since I've brought up so many more songs since I started this thread, here’s an updated top 10 worst songs of the '80s:
10. The Jets - Cross My Broken Heart 9. Living in a Box - Living in a Box 8. Fancy - Slice Me Nice 7. The Associates - Party Fears Two 6. Depeche Mode - People Are People 5. New Kids on the Block - Please Don’t Go Away Girl 4. UB40 - Rat in Mi Kitchen 3. Adam Ant - Ant Rap 2. Genesis - Who Dunnit? 1. Sophia George - Girlie Girlie
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Post by #Infinity on Feb 24, 2018 16:19:35 GMT 10
It genuinely bothers me that a song with the word "faggot" used as an insult and not "Money for Nothing"-style irony can be an annual Christmas classic in the UK, even three decades after its initial release:
I guess the UK is at least less culturally homophobic than the US is, but I still feel horrible for all the gay men who live there during Christmas when this song constantly comes to basically pervert the very sentiment of the holiday for them.
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Post by SharksFan99 on Feb 24, 2018 23:28:08 GMT 10
It genuinely bothers me that a song with the word "faggot" used as an insult and not "Money for Nothing"-style irony can be an annual Christmas classic in the UK, even three decades after its initial release: I guess the UK is at least less culturally homophobic than the US is, but I still feel horrible for all the gay men who live there during Christmas when this song constantly comes to basically pervert the very sentiment of the holiday for them. It's possible though that the word is censored on radio or other media broadcasts. Given the progression of LGBT rights over the years, it would surprise me if the word wasn't censored in some form.
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Post by #Infinity on Feb 25, 2018 4:13:09 GMT 10
It's possible though that the word is censored on radio or other media broadcasts. Given the progression of LGBT rights over the years, it would surprise me if the word wasn't censored in some form. It's been a major subject of controversy since its release. Yes, even in the '80s, homophobic words were subject to public backlash, as occurred to "Money for Nothing", which ultimately had an edit that completely omitted the verse with "faggot." In "Fairytale's" case, a lot of people find the song just generally humourous, so they hate having a single word spoiling the fun of something they love partying to every Christmas. I suppose it's sort of like the racially insensitive moments in classic Disney movies or Mickey Rooney in Breakfast at Tiffany's: do we uphold a time-honoured masterpiece for its big picture significance, or do we just ignorantly let small details of bigotry subliminally uphold the message that minorities are unwelcome in fun traditions? As somebody who didn't grow up in the UK and only discovered "Fairytale" about a couple of years ago, I'm probably much more acutely aware of the offensive moment than those who listened to the song as children in the UK.
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Post by #Infinity on Jul 28, 2018 13:52:11 GMT 10
I was just listening to this song earlier today. As much as I adore LL Cool J, this here undoubtedly has to be one of the worst early hip hop songs ever. It's a pretty embarrassing diss track aimed at Kool Moe Dee, who LL was feuding with at the time. I just cannot stand this song's obnoxiously childish and elementary execution, nor LL's sleepy, repetitive, fragmented flow throughout the piece. The mediocre beat can't save it, either.
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Post by God Less America on Jul 28, 2018 15:29:11 GMT 10
Everything by Frankie Goes To Hollywood. Boring 'We All Stand Together' by Paul McCartney (he really should know better!). Ridiculous Everything by U2. Boring 'I Guess That's Why They Call It The Blues' by Elton. A wrist slitting dirge. 'Vienna' by Ultravox. A boring slab of pretentious self indulgence. 'O Superman' by Laurie Anderson. Just what the funk is that about? LMAO obviously a wind-up - not even a journo would come up with such blind evaluations.
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Post by God Less America on Jul 28, 2018 15:33:08 GMT 10
For me personally, it was difficult coming up with a list here because I quite enjoy 80s songs virtually by default, with most of the decade's worst material simply being mediocre rather than painful. For now, I can only really come up with a bottom 8 songs of the 80s as opposed to a full bottom 10, and even then, only my number 1 pick is anywhere near as horrible as the songs I featured in my 2000s and 2010s lists. 8. Hard To Say I'm Sorry - magnificent! Belongs maybe in the top 50 greatest 80's songs. 4. Totally - The Associates per se were just annoying and this is one dreadful dirge. I agree too with the #1 choice but thankfully don't know the others.
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Post by Deleted on Jul 29, 2018 1:17:30 GMT 10
Everything by Frankie Goes To Hollywood. Boring 'We All Stand Together' by Paul McCartney (he really should know better!). Ridiculous Everything by U2. Boring 'I Guess That's Why They Call It The Blues' by Elton. A wrist slitting dirge. 'Vienna' by Ultravox. A boring slab of pretentious self indulgence. 'O Superman' by Laurie Anderson. Just what the funk is that about? LMAO obviously a wind-up - not even a journo would come up with such blind evaluations. Not a bloody wind up, I can assure you, sir. I hate ALL of these songs with a vengeance and a passion. Boring, boring, boring. I would only listen to them if I was having difficulty sleeping as I would be out before they even got to the first bloody chorus.
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