|
2010s
Oct 9, 2018 20:43:47 GMT 10
Post by SharksFan99 on Oct 9, 2018 20:43:47 GMT 10
www.billboard.com/charts/hot-100"Shallow" has debuted at #28 on the Billboard Hot 100, which is quite a decent placement for a pop-rock song. It is also at the top of the US iTunes Chart.
|
|
|
2010s
Oct 21, 2018 20:10:00 GMT 10
Post by SharksFan99 on Oct 21, 2018 20:10:00 GMT 10
I'm watching ITV2 (a British TV channel) at the moment and a commercial for Dean Lewis' "Be Alright" was just shown. The commercial went along the lines of, "introducing Dean Lewis, buy his new single out now". It's interesting that the song appears to be gaining significant attention over in the UK.
|
|
|
2010s
Oct 22, 2018 15:19:51 GMT 10
Post by #Infinity on Oct 22, 2018 15:19:51 GMT 10
Elle King's new album just came out this past Friday. I bought it on iTunes, and I have to say I was extremely impressed. It's clear Elle has a sincere appreciation of both classic Motown soul, as well as hard psychedelic rock, and she mixes these retro influences deftly with her flavourful vocals, which are somehow high and cutesy yet grittily badass at the same time. The lyrics are also evocative, entertaining, and written with a human edginess that animates their generally basic premises to soaring heights. SharksFan99, if you're looking for new music that actually rocks and has some honest, passionate songwriting, then I recommend Shake the Spirit all the way.
SharksFan99 likes this
|
|
|
2010s
Oct 22, 2018 17:03:43 GMT 10
Post by SharksFan99 on Oct 22, 2018 17:03:43 GMT 10
Elle King's new album just came out this past Friday. I bought it on iTunes, and I have to say I was extremely impressed. It's clear Elle has a sincere appreciation of both classic Motown soul, as well as hard psychedelic rock, and she mixes these retro influences deftly with her flavourful vocals, which are somehow high and cutesy yet grittily badass at the same time. The lyrics are also evocative, entertaining, and written with a human edginess that animates their generally basic premises to soaring heights. SharksFan99 , if you're looking for new music that actually rocks and has some honest, passionate songwriting, then I recommend Shake the Spirit all the way. Thanks for the suggestion! I'll be sure to check it out.
|
|
|
2010s
Oct 24, 2018 17:06:04 GMT 10
Post by SharksFan99 on Oct 24, 2018 17:06:04 GMT 10
|
|
|
2010s
Oct 25, 2018 15:57:03 GMT 10
Post by SharksFan99 on Oct 25, 2018 15:57:03 GMT 10
Lauren Jauregui, known for being a member of Fifth Harmony, has just released her debut solo single, titled "Expectations". It's a soul-pop song with elements of R&B. It's currently at #7 on the US iTunes Chart and within the Top-40 on the UK and Australian iTunes Charts. Hopefully it will debut on the singles charts in the next week or so, because I actually don't think it's too bad.
Also, check out the guitar solo between 2:15-2:48! I swear guitar-driven music is slowly making a comeback into the mainstream. I know I've said that heaps of times before, but it really does seem to be the case.
|
|
|
2010s
Oct 25, 2018 18:08:57 GMT 10
Post by longaotian on Oct 25, 2018 18:08:57 GMT 10
Lauren Jauregui, known for being a member of Fifth Harmony, has just released her debut solo single, titled "Expectations". It's a soul-pop song with elements of R&B. It's currently at #7 on the US iTunes Chart and within the Top-40 on the UK and Australian iTunes Charts. Hopefully it will debut on the singles charts in the next week or so, because I actually don't think it's too bad. Also, check out the guitar solo between 2:15-2:48! I swear guitar-driven music is slowly making a comeback into the mainstream. I know I've said that heaps of times before, but it really does seem to be the case. No, not a bad song at all but I don't really see myself liking that kind of music. Anyways, it seems the late 2010s have been somewhat defined by solo artists that have left groups that were popular in the early/mid part of the decade. You have this, Normani, Camilla Cabello, ZAYN and the rest of the One Direction members. If im being honest though, the only one that it seems might have a successful solo career is Camilla Cabello and maybe ZAYN.
|
|
|
2010s
Oct 25, 2018 18:22:51 GMT 10
Post by longaotian on Oct 25, 2018 18:22:51 GMT 10
Honestly, every single week that this 'song' continues to stay in the charts, the more and more surprised I get at how such a bland and effortless song can be so successful. I mean its 2018, and looking back at Maroon 5's record over the past few years I never should've been expecting much but this takes things to a new level of bad in my opinion, I mean as annoying as "Sugar" was back in 2015 it at least had an upbeat vibe. Not to mention, the music video is just as cringe . Seeing as though its held the #1 spot on the Billboard 100 for the last few weeks, im not sure whether to be glad that Drake's complete dominance of the #1 spot in 2018 has been ended or just surpised that "In My Feelings" could be surpassed by something even more annoying. Honestly, at this point I think its time Maroon 5 either just stopped or if not, go back to the type of music they made in the 2000's - stuff that was half listenable.
|
|
|
2010s
Oct 25, 2018 19:48:38 GMT 10
Post by SharksFan99 on Oct 25, 2018 19:48:38 GMT 10
No, not a bad song at all but I don't really see myself liking that kind of music. Anyways, it seems the late 2010s have been somewhat defined by solo artists that have left groups that were popular in the early/mid part of the decade. You have this, Normani, Camilla Cabello, ZAYN and the rest of the One Direction members. If im being honest though, the only one that it seems might have a successful solo career is Camilla Cabello and maybe ZAYN. Yeah, that's a trend I've noticed as well. When you think about it, there haven't really been a lot of artists who have emerged in the Late 2010s (without having already been known/popular in the Mid 2010s) and have become huge overnight successes. I know there's Cardi B. and Post Malone, but other than those two, no one else has really went on to define the era. I agree with you in regards to Camilla Cabello, but in relation to ZAYN, I personally don't think he will have a lengthy solo career, to be honest. Once 2010s-style EDM is phased out in the mainstream, I honestly can't see him achieving any more success on the Top-40 charts. I think his success will mostly be confined to the Mid-Late 2010s. Just out of curiosity, what's your opinion of Harry Styles' solo career? Out of all the One Direction members, I actually think Harry will have the most successful solo career. He was the "face" of One Direction and I think he released "Sign of the Times" with the intention of setting himself up for the long-term. There was even talk earlier in the year about him possibly playing the role of James Bond once Daniel Craig retires. I completely agree. If it wasn't for Cardi B featuring in the song, I highly doubt that it would be as successful as it is. I would personally have to agree with what #Infinity said in regards to Maroon 5; they ceased to exist as a band once "Moves Like Jagger" was released. Since then, they have pretty much been the embodiment of shallow, heavily commercialised pop music.
|
|
|
2010s
Oct 26, 2018 5:07:51 GMT 10
via mobile
Post by Telso on Oct 26, 2018 5:07:51 GMT 10
At least "Girls Like You" is nowhere near as bad as their singles from 2014, "Maps" and especially "Animals".
One of my favorite bands of all-time released this back in September and I was very surprised to hear this it was from them on the radio, it's just so different to their earliest stuff from the 90s (they used to be a Trip Hop group), but hey, it's a great tune nonetheless! 2017 Paramore-ish
Also kuddos to Halsey for releasing a decent song for once.
|
|
|
2010s
Oct 28, 2018 8:42:34 GMT 10
Post by #Infinity on Oct 28, 2018 8:42:34 GMT 10
After some time, I've revoked my earlier thoughts that 2018 was the best year for music of this decade in awhile. During the first half of the year, I was optimistic that we were finally moving past the dreary age of trap and misery-pop, but all the refreshing diversity that Dua Lipa, Camila Cabello, Shawn Mendes, Bruno Mars, and even Justin Timberlake brought early on has now been swept under the rug by charts almost completely overrun by schlocky emo rap, abhorrently narcissist and indifferently delivered trap music, and goddamn Cardi B being the only true recent new star. The charts right now are exactly what I feared this entire year would be like at the end of last year. My interest in pop music has pretty much completely subsided for the time-being. I'm now much more focused on eurobeat, J-Pop, and of course retro music. The state of music in the west today is absolutely depressing, even with a few solid albums making some buzz for a few days each. Thanks to a strong first half, 2018 is still superior to 2016, but at this point, I'd probably rank it below 2017 and even 2015, which at least had plenty of real pop music doing well and not just all this mopey drivel and infuriatingly crass and barebones trap.
|
|
Deleted
Deleted Member
|
0 |
|
2010s
Oct 28, 2018 8:52:31 GMT 10
via mobile
Post by Deleted on Oct 28, 2018 8:52:31 GMT 10
After some time, I've revoked my earlier thoughts that 2018 was the best year for music of this decade in awhile. During the first half of the year, I was optimistic that we were finally moving past the dreary age of trap and misery-pop, but all the refreshing diversity that Dua Lipa, Camila Cabello, Shawn Mendes, Bruno Mars, and even Justin Timberlake brought early on has now been swept under the rug by charts almost completely overrun by schlocky emo rap, abhorrently narcissist and indifferently delivered trap music, and goddamn Cardi B being the only true recent new star. The charts right now are exactly what I feared this entire year would be like at the end of last year. My interest in pop music has pretty much completely subsided for the time-being. I'm now much more focused on eurobeat, J-Pop, and of course retro music. The state of music in the west today is absolutely depressing, even with a few solid albums making some buzz for a few days each. Thanks to a strong first half, 2018 is still superior to 2016, but at this point, I'd probably rank it below 2017 and even 2015, which at least had plenty of real pop music doing well and not just all this mopey drivel and infuriatingly crass and barebones trap. It has been flooding my Spotify recommendations too
|
|
|
2010s
Oct 29, 2018 18:44:59 GMT 10
Post by SharksFan99 on Oct 29, 2018 18:44:59 GMT 10
After some time, I've revoked my earlier thoughts that 2018 was the best year for music of this decade in awhile. During the first half of the year, I was optimistic that we were finally moving past the dreary age of trap and misery-pop, but all the refreshing diversity that Dua Lipa, Camila Cabello, Shawn Mendes, Bruno Mars, and even Justin Timberlake brought early on has now been swept under the rug by charts almost completely overrun by schlocky emo rap, abhorrently narcissist and indifferently delivered trap music, and goddamn Cardi B being the only true recent new star. The charts right now are exactly what I feared this entire year would be like at the end of last year. My interest in pop music has pretty much completely subsided for the time-being. I'm now much more focused on eurobeat, J-Pop, and of course retro music. The state of music in the west today is absolutely depressing, even with a few solid albums making some buzz for a few days each. Thanks to a strong first half, 2018 is still superior to 2016, but at this point, I'd probably rank it below 2017 and even 2015, which at least had plenty of real pop music doing well and not just all this mopey drivel and infuriatingly crass and barebones trap. The only songs from the second-half of 2018 which I don't mind are "Leave a Light On" (a soccer-hit that is currently a Top-40 hit in Europe and Australia) and "Natural" by Imagine Dragons. Besides those two songs, I would have to agree that the charts currently have very little in terms of variety and genuinely decent songs. I'm honestly not expecting the charts to be any different in another 12-18 months time; Trap and 2010s-style EDM are showing no signs of declining.
|
|
|
2010s
Nov 10, 2018 16:58:35 GMT 10
Post by SharksFan99 on Nov 10, 2018 16:58:35 GMT 10
All I can say is sucked in to Cardi B. Her most recent single ("Money") debuted at just #61 here last week and now it has plummeted all the way down to #82. This is a pretty stark contrast to how the song is performing in the US and UK, where the song is currently at #13 and #49 respectively. As you can see here, she hasn't had much success in this country. Let's hope it stays that way.
|
|
|
2010s
Nov 11, 2018 5:05:47 GMT 10
via mobile
Post by #Infinity on Nov 11, 2018 5:05:47 GMT 10
All I can say is sucked in to Cardi B. Her most recent single ("Money") debuted at just #61 here last week and now it has plummeted all the way down to #82. This is a pretty stark contrast to how the song is performing in the US and UK, where the song is currently at #13 and #49 respectively. As you can see here, she hasn't had much success in this country. Let's hope it stays that way. She has plenty of room to stay relevant in America, since she’s performing at the Super Bowl with Maroon 5. I don’t think she’ll be leaving American airwaves and streaming playlists anytime soon, even if her international following is comparatively small.
|
|